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Jennifer Waters

aka Jennifer Blowdryer

1731 California Street #4

Berkeley, CA  94703

646-331-9263

blowdryer1@aol.com

jenniferblowdryer.com

 

Education

 

Columbia University, Writing Division

Concentration:  Fiction, MFA 1988

Claire Woolrich Fellowship

 

University of California, English

BA 1984

 

Periodicals

 

1982 – present             New York Press, nypress.com

Regular contributor

Editor John Strausbaugh

 

1989 -1993                  Downtown (NYC Weekly)

Music column

 

1989 – 1992                Maximum Rock ÔN' Roll

Personal Column

Editor: Tim Yohannan

 

Teaching Experience

 

2007
Lectured on independent publishing at the New College's Writing and Consciousness Program.
Spoke to Lowell High creative writing class about assembling their own slang definitions.

Adjunct, Marymount Manhattan College Critical Thinking:  Satire

 

1993 -1995                 

Adjunct, Marymount Manhattan College Critical Thinking:  Satire

  1988 -1990                 

Adjunct, New York Institute of Technology
Freshmen Composition

 

1984                           
Writing Workshop (with Lois Grffith)

Nuyorican Poetry Club

 

Publications

Upcoming: 3 Chapters in a book on the Jewish History of the Lower East Side, published by Clayton Patterson.

Chapter in CarnivorA, a book on car art.

2008: A chapter in Working Sex (Avalon Press)

2007: Chapters in Nobody Passes (Edited by Michelle Tea, Seal Press) and Nobody Passes, (Seal Press, edited by Matt Bernstein Sycamore.

 

Good Advice for Young Trendy People of All Ages

Anthology of semi-satirical guides to alternative lifestyles

Editor and Contributor

Manic D Press, 2005

Jennifer Joseph editor/publisher

 

White Trash Debutante

Memoir

Galhattan Press, 1997

Jane King editor/publisher

 

The Laziest Secretary in The World

Graphic Novel

Piranha Press (imprint of D.C. comics), 1992

 

Where's My Wife?

Chapbook

Zeitgeist Press 1989

 

Wrong Wrong Wrong

Chapbook

Zeitgeist Press 1991

 

Modern English

Dictionary of Trendy Slang

Last Gasp 1984

Ron Turner editor/publisher

 

Anthologies

 

Outlaw Bible of American Poetry

Poetry, Thunder's Mouth Press 1999

Editor Alan Kaufman

 

Dick for A Day: What Would You Do If You Had One?

Essay, Villard 1997

Editor Fiona Giles

 

Aloud:  Voices from The Nuyorican Poets CafŽ

Fiction, Owl Books 1994

Editor Miguel Algarin

 

Upcoming:

 

True Blue

Personal Essay, Soft Skull, 2006

Editor Annie Oakley, Sex Workers Art Show

 

Women of The Bowery

Play Excerpt, Bowery Poetry Club, 2006

Editor Bob Holman

 

Nobody Passes

Essay, Suspect Thoughts 2007

Editor Matt Bernstein Sycamore

 

The Rebellion of 1965

Poetry, Zeitgeist Press

Editor Bruce Isaacson

 

Journals

 

Zeek:  A Jewish Journal of Thought And Culture, essays, book reviews

 

Longshot. Poetry

 

Tribes, Prose Poetry

Steve Cannon, editor

 

Theatrical Productions

 

86'd Project/A Fond Look at The Gabors

Darkroom Theater, San Francisco, CA 2006

 

White Trash Debutante

Bowery Poetry Club, New York, NY 2005

Theater Rhinoceros. San Francisco, CA 2002

 

Smut Fest

Center for Sex And Culture, San Francisco, CA 2006

Schmidt Tivoli Theater, Hamburg, Germany 2000

14 Karat Kabaret, Baltimore, MD 1998

P.S. 1, New York (off site), NY 1997

Lower Links, Chicago, Il 1995

World's End Pub, London, UK 1994

 

Personal Statement:

 

One of the first things people ask me is "Where'd you get the name Blowdryer?" "From a punk band I fronted in 1979, in San Francisco," I'm always proud to reply. I jokingly call myself a low level counter-cultural icon, but I see myself as a new kind of teacher. Operating in both academic and non-academic venues, I have tried to synthesize nontraditional sources with the established literary canon to represent a truer spectrum of American culture. This diversity of influences is also reflected in my work, which as been taught at Sarah Lawrence and, most recently, in Stephen Beachy's USF course on memoir writing. The best professors I had in college and in life shared their passion for work I'd never been exposed to, and showed me how to be ruthless in executing my own craft. I would like to do the same for others.

 

I have always been interested in work that re-humanizes the socially marginal. My Smut Fests, started in 1988, were one of the first places where sex workers could express themselves through performance. I am currently working on a non-fiction book about social anomalies called Black Sheep: This Could Be You, as well as The 86'd Project: The chronically ejected, and their tormentors.

 

References available upon request.